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Now it's your turn to evaluate an image

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No. 2 June 2006
It
is invariably useful to ask What is the photograph
about? A
set of wrenches? a corner of a barn? The personal habits of
the farmer who owns the barn?
What do you think moved the photographer
to point his camera in
that
direction?
Is
it an image that you'd like to see hanging in your own room,
or
one you'd return
to again
and again?
Is there anything there
about the subject or about the formal composition--shapes, lines, texture,
patterns, etc that really moves you?
Are there
any aspects that distract from the strength of the image:
— are the objects in the foreground too light?
or the window?
—
not enough
detail in the shadows?
— too many objects
in the image?
You
are alert to the problem of
bright objects near the edges being a
distraction, but in this case, I think they work pretty
well. They
are not irrelevant to the scene, but rather
an integral part of it. We've
tried cropping the image to elminate those things and
it seems
to us that the result is a much
weaker image. Block off part of
the left side and the bottom with
some paper and see what you think.
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