It was said of
Scottish photographer Robert MacPherson (1811-1872)
that his arrival in Rome was heralded by bagpipes and a kilt. Perhaps.In
any case, MacPherson
did some of the best early work in Rome—well ahead of the local
photographers like the Alinari brothers. Macpherson trained
as a surgeon, but became a landscape painter after
moving to Rome. He learned photography in 1851 and quickly became
successful as a photographer of Roman architecture, antiquities,
and scenic views.
During his twenty year career, he made more than three hundred
large-scale views of Rome and the surrounding countryside.
No.
1 April 2006
The
Arch of Septimus Severus was a popular subject for early photographers
owing, I imagine, to its excellent state of preservation. Most
of the many photos of Roman arches are what we would call "views,"
straight-on shots to be pasted in an album as a record of what
was seen on your grand tour. But MacPherson gives us much more.
He frames the subject with the columns on the right and just a
portion of a baroque building on the left—no sense in spoiling
the illusion of antiquity. And the length of the shadows casts
the major features and even some of the surface detail into high
relief; taken at midday the shadows on the side of the arch would
be much less interesting.